Tools Services Portfolio About Contact

Tools Services Portfolio About Contact

Made with by Lê Trực 0983470827 © 2025 KenAI.vn

Backways near Tintagel, Cornwall | Harvard Art Museums | KenAI

Harvard Art Museums
Artworks
Backways near Tintagel, Cornwall

Backways near Tintagel, Cornwall

DrawingsBritish19th century

Backways near Tintagel, Cornwall

1848

Artists

Samuel PalmerArtist

Classification

Drawings

Medium

Transparent and opaque watercolor, black chalk, and graphite on gray wove paper

Culture

British

Century

19th century

Division

European and American Art

Department

Department of Drawings

Dimensions

19.1 × 27.3 cm (7 1/2 × 10 3/4 in.) mat: 35.9 × 42.9 cm (14 1/8 × 16 7/8 in.) frame: 38.7 × 45.7 × 1.9 cm (15 1/4 × 18 × 3/4 in.)

Provenance

Gift of the artist to Howard Wright, by descent; to his niece, Dorothy Wright, sold through [Sotheby's, London, April 19, 1961, lot 51]; to Mrs. Cecil Keith, sold; [Agnew's, May 1984] to private collector. [Agnew's, London] sold; to George and Patti White, 1997, loan; to Harvard Art Museums, 2023

Related Artworks

Figures on the Beach

Figures on the Beach

Joseph Mallord William Turner, 19th century

19th centuryBritish

Seashore From Hastings

Seashore From Hastings

Joseph Mallord William Turner, c. 1830-1835

Watercolor, gouache and graphite on faded blue wove paper

19th centuryBritish

Venus in a Chariot, Study for "The Passing of Venus"; verso: blank

Venus in a Chariot, Study for "The Passing of Venus"; verso: blank

Edward Burne-Jones, c. 1875

Graphite on heavy cream wove paper

19th centuryBritish

Two Profile Studies, for "The Sleep of Arthur at Avalon"

Edward Burne-Jones, 19th century

Black and white chalk on pink wove paper

19th centuryBritish

View of the Greenwich Hospital

View of the Greenwich Hospital

James G. Holland, 19th century

Watercolor (and gouache?) and white chalk on heavy buff paper

19th centuryBritish

The Lost Piece of Silver

The Lost Piece of Silver

John Everett Millais, 19th century

Watercolor and gouache on off-white wove paper

19th centuryBritish

Isolde

Aubrey Vincent Beardsley, 1895

Black and gray ink and red and green watercolor on cream wove paper

19th centuryBritish

Garden Wall with a Cottage

Garden Wall with a Cottage

Joseph Mallord William Turner, 19th century

Graphite on white wove paper

19th centuryBritish

Inscription (recto and verso)

Inscription (recto and verso)

Frederic Leighton, 19th century

Metalpoint on prepared paper

19th centuryBritish

Landscape (continues on page 38 verso); verso: Trees in Landscape (continues on page 40 recto)

Landscape (continues on page 38 verso); verso: Trees in Landscape (continues on page 40 recto)

Edward Burne-Jones, 19th century

Graphite on cream modern laid paper

19th centuryBritish

Clasped Hands, for "The Hours"; verso: Right Hand Holding Thread, for "The Hours"

Clasped Hands, for "The Hours"; verso: Right Hand Holding Thread, for "The Hours"

Edward Burne-Jones, c. 1882

Graphite on heavy cream wove paper

19th centuryBritish

With Dreams Upon My Bed Thou Scarest Me and Affrightest Me with Visions (The Book of Job)

With Dreams Upon My Bed Thou Scarest Me and Affrightest Me with Visions (The Book of Job)

William Blake, 1821

Watercolor, black ink and graphite on cream laid paper

19th centuryBritish