dated 1658
The manuscript opens with an illuminated sarlawh. The frontispiece exhibits decorated margins bearing floral drawings in gold and text panels with interlinear gilding. The text is copied in nastaʿlīq and 19 lines to a page. The colophon provides the date Zu’l-ḥijja 1068/September 1658, and the name of the scribe Muhammad Baqir b. Mulla Rahimi al-Lahiji, a resident of Kasma. The reverse of the page provides the same date Zu’l-ḥijja 1068 (September 1658) and states that the manuscript was commissioned by Allah Quli Bika (1019–1079/1610–1669). The significance of this manuscript according to the scribe is that this copy was collated against the original copy in the hand of the author, Shaykh Baha’i. The manuscript is bound in a brown leather binding with gilt-stamped center and corner pieces.
28 x 15 cm (11 x 5 7/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, opaque watercolor and gold on paper
17th-18th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
17th and 19th centuriesPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk, colors, and gold on paper
17th centuryPersian