c. 1550-60
The manuscript opens with an illuminated sarlawh and gilded text panel. The text is copied in 13 lines in two columns and the text panels are remounted onto new margins. According to its colophon the manuscript was copied by Muhammad al-Qivam al-Shirazi (1537-1585) who was a famous scribe in Shiraz. Another manuscript in the hand of the same scribe in the Harvard Art Museums is the Shahnama of Firdawsi, with his signature in the colophon page (2002.50.138). The leather binding is gilded and stamped. The inside cover is decorated with animals in a landscape in relief. The interior of the front cover is mistakenly placed upside down during a repair.
21 x 13 cm (8 1/4 x 5 1/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, colors, and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersian