1836
The manuscript opens with an illuminated sarlawh. The text is in Arabic and is copied in large naskh, 12 lines to a page. All folios are decorated with gold floral motifs in the margins and interliner gilding. The name of God (allahumma) and the prayer (al-salawat) are written in gold throughout the text. The manuscript was copied by Ahmed Shamlu in H. 1252/1836 according to the colophon.
19 x 12 cm (7 1/2 x 4 3/4 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Calligraphy; ink, opaque watercolor and gold on paper, lacquer binding
17th and 19th centuriesPersianWatercolor, gold-colored pigments, and lacquer over brass layer on pasteboard (covers) Ink, gold, and colors on paper (text)
19th centuryPersianInk and gold on paper
16th and 19th centuryPersianInk, opaque watercolor and gold on paper
16th and 19th centuryPersianPainting with text; ink, opaque watercolor and gold on paper
19th-20th centuryPersianInk, opaque watercolor and gold on paper
17th and 19th centuriesPersianInk and opaque watercolor on paper
18th-19th centuryPersianInk on paper
18th and 19th centuriesPersianInk, opaque watercolor and gold on paper
18th and 19th centuriesPersianWatercolor, gold-colored pigments, and lacquer over metallic layer on pasteboard (covers) Ink, gold, and colors on paper (text)
19th centuryPersianInk, opaque watercolor and gold on paper
17th and 19th centuriesPersianInk, opaque watercolor and gold on paper
18th and 19th centuriesPersian