Kangxi period, first third 18th century
box, lid on: H. 6 x D. 8.8 x L. 35 cm (2 3/8 x 3 7/16 x 13 3/4 in.)
Opaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques; metal fittings and silk cord
18th centuryJapaneseInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration partially inlaid in black and white slips
12th centuryKoreanBamboo with carved and stained surface and with brass fittings
18th-19th centuryKoreanLacquer on wood with decoration in gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; stone and gilt-copper fittings
17th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques; openwork bronze cover and copper interior fittings
17th-18th centuryJapaneseCizhou ware: light gray stoneware with clear glaze over decoration painted in a dark brown slip on a white slip ground
12th-13th centuryChineseMaki-e designs in gold and silver on nashi-ji lacquer ground
JapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji ("pear-skinned" ground) techniques
17th centuryJapaneseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within a double circle on the base
16th-17th centuryChineseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), and nashiji ("pear-skinned" ground) techniques
18th centuryJapanese