16th century
The manuscript opens with an illuminated sarlawh (heading) above the text. The margins of the double-page frontispiece are decorated with gold floral drawings and large illuminated cartouches. The text is copied in nastaʿliq in two columns and 15 lines on gold sprinkled paper. The text panels are remargined on various colored papers. There are ten paintings in the manuscript. The dark and reddish-brown leather binding is decorated with a gilt-stamped inlays in the center medallion, pendants, corner pieces and cartouches of the border. The edges have been repaired at some point. The inside covers are plain olive green leather.
27.5 x 17 cm (10 13/16 x 6 11/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk and gold on paper
16th centuryPersianText; ink, opaque watercolor and gold on paper, with black and gold binding
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianText; ink, opaque watercolor and gold on paper
16th centuryPersianInk, color and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianWatercolor, gold-colored pigments, and lacquer on pasteboard (covers) Ink, colors, and gold on paper (text)
16th and 19th centuryPersian