dated 1837
The small manuscript opens with a minutely illuminated double-page frontispiece. The text is copied 15 lines to a page in naskh by ‘Alī Aṣghar b. Muḥammad Shafī‘ al-Arsanjānī in H. 1253 (1837). The manuscript comprises 127 folios, including 4 flyleaves. It contains 80 illuminated headings, one at the beginning of each prayer. All text folios are embellished with interlinear gilding. The manuscript is made for the servant, the humble Aqā Mullā Aḥmad son of the late Karbalā’i Muḥammad ‘Alī Shīrāzī. The leather binding is decorated with gold painted borders and stamped, painted and inlaid central and corner pieces, bearing flower paintings in green and purple/crimson. Inside covers are light brown plain leather with gold borders.
17 x 10.5 cm (6 11/16 x 4 1/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, opaque watercolor and gold on paper
17th and 19th centuriesPersianInk and opaque watercolor on paper
18th-19th centuryPersianInk, opaque watercolor and gold on paper
18th and 19th centuriesPersianInk, opaque watercolor and gold on paper
19th-20th centuryPersianInk on paper
16th and 19th centuryPersianInk, colors, and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
17th and 19th centuriesPersianInk on paper
16th and 19th centuryPersianCalligraphy; ink, opaque watercolor and gold on paper, with red lacquer binding
16th and 19th centuryPersianWatercolor, gold-colored pigments, and lacquer over metallic layer on pasteboard (covers) Ink, gold, and colors on paper (text)
19th centuryPersianInk and opaque watercolor on paper
18th and 19th centuriesPersianInk, opaque watercolor and gold on paper
16th and 19th centuryPersian