17th-19th century
The manuscript is very small and opens with double illuminated text pages with sura 1 and 2. However the first page has been replaced with a later one, and a folio written ornately and minutely in shikasta nastaliq has been inserted between the original and replacement folios. The actual Qur'an text has been written in naskh in fourteen lines to a page in black ink on a ground of alternating yellow- and green-toned gold. A Persian interlinear translation is copied in red ink in nastaliq script. Extensive commentary written obliquely in shikasta script can be found on the margins of several pages. A note on the margin and the inserted folio give the dates 1084 H (1673) and 1141 H (1729) along with artists' names, although these are difficult to decipher. The binding is lacquered and the narrow field is composed of a central medallion with pendants and corner pieces filled with flowers and arabesques. Several borders of varying width frame the field. It appears that the original Safavid manuscript was refurbished with a lacquer binding in the Zand or Qajar era, at which time the extra folio and notes were added.
15.3 × 9.7 × 2.8 cm (6 × 3 13/16 × 1 1/8 in.) Text area: 10.9 × 6 cm (4 5/16 × 2 3/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, opaque watercolor and gold on paper
17th centuryOttomanInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryPersianInk, colors, and gold on paper
17th-18th centuryIndianInk, opaque watercolor and gold on paper
18th centuryPersianInk and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianPainting with text; ink, opaque watercolor and gold, with lacquer binding
19th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk and gold on paper
14th centuryIslamicInk and opaque watercolor on paper
14th centurySyrianInk and gold on paper
12th centuryIslamic