16th-17th century
The central panel of this album folio consists of four lines of Arabic poetry written in nasta`liq script on light brown paper. The calligraphy is surrounded by floral illumination on a gold ground. Two decorative borders frame the central panel. The text references the Shura, a consultative body of prominent members of the Qurayshi tribe who in the year 644 were tasked to name the third leader of the Muslim community, following the death of the caliph Umar. .
framed: 39 x 33 cm (15 3/8 x 13 in.)
Richard Bryant Hobart, Cambridge, MA, (by 1963), by inheritance; to his daughter, Mabel Hobart Cabot, Cambridge, MA , (1963-2014), gift; to the Harvard Art Museums, June 2014. Richard Bryant Hobart (b. 1885 – d. 1963),
Ink with opaque watercolor and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper
16th centuryIndianOpaque watercolor on paper
16th centuryOttomanInk, opaque watercolor and gold on paper
18th centuryPersianOpaque watercolor on paper
19th centuryIndianInk, opaque watercolor and gold on paper
18th-19th centuryPersianOpaque watercolor and gold on paper
18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianGraphite on beige wove paper (recto); Top: relief print with watercolor and gold on tan wove tracing paper (verso); Bottom: rawhide, handcut (verso)
19th centuryPersianInk, gold, and opaque watercolor on paper
16th centuryPersianWatercolor, black chalk and blue colored pencil on off-white wove paper; pricked (recto); Watercolor, silver and gold over graphite on off-white modern laid paper (verso)
19th centuryPersianInk, opaque watercolor and gold on paper
19th centuryOttoman