17th-18th century
This manuscript is the first volume of a two-volume Shahnama by Firdawsi with further Shahnama inspired interpolated texts from the Garshaspnama and the Barzunama. The manuscript has 325 folios and is copied in nastaliq script. There are two illuminated panels at the beginning of the prose and poetry sections of the Shahnama. There are 34 illustrations that appear to have been painted when the manuscript was copied and 26 simple style illustrations that can be dated to a later phase. Overall, based on the style of the illustrations, illumination, and the interpolated texts, the creation of the manuscript can be attributed to the late 17th-early 18th century in Kashmir, the northern region of India under Mughal control. Later in the 19th century, the incomplete manuscript was furnished with simple style illustrations and possibly with a new illuminated panel at the beginning of the text.
36.8 x 23.5 cm (14 1/2 x 9 1/4 in.)
George McFadden, New York, (by 1987-1988), sold; to José M.Soriano, New York, (1988-2014), gift; to the Harvard Art Museums, 2014.
Ink, colors, and gold on paper; gilt-stamped leather binding
17th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryOttomanInk, opaque watercolor and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
13th centuryEgyptianFour pieces of paper mounted as a hanging scroll; ink on paper; red punctuation
16th centuryJapaneseInk, opaque watercolor and gold on paper
17th centuryPersianDouble-sided, detached leaf from an incomplete manuscript; ink, color, and gold on black paper
18th centuryNepaleseThe (fragmentary) fifty-second of a series of 54 backing sheets mounted in an album; ink and color on paper
16th centuryJapaneseInk, opaque watercolor and gold on paper
17th centuryPersianHandscroll; ink, gold and silver on paper, from Enryaku-ji, Mount Hiei
14th centuryJapaneseInk, opaque watercolor and gold on paper
19th centuryPersianInk, colors, and gold on paper
16th centuryPersian