17th-18th century
This manuscript is the first volume of a two-volume Shahnama by Firdawsi with further Shahnama inspired interpolated texts from the Garshaspnama and the Barzunama. The manuscript has 325 folios and is copied in nastaliq script. There are two illuminated panels at the beginning of the prose and poetry sections of the Shahnama. There are 34 illustrations that appear to have been painted when the manuscript was copied and 26 simple style illustrations that can be dated to a later phase. Overall, based on the style of the illustrations, illumination, and the interpolated texts, the creation of the manuscript can be attributed to the late 17th-early 18th century in Kashmir, the northern region of India under Mughal control. Later in the 19th century, the incomplete manuscript was furnished with simple style illustrations and possibly with a new illuminated panel at the beginning of the text.
36.8 x 23.5 cm (14 1/2 x 9 1/4 in.)
George McFadden, New York, (by 1987-1988), sold; to José M.Soriano, New York, (1988-2014), gift; to the Harvard Art Museums, 2014.
Ink, opaque watercolor and gold on paper
18th-19th centuryOttomanInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
16th centuryNorth AfricanInk, opaque watercolor and gold on parchment
9th centuryArabDouble-sided, detached leaf from an incomplete manuscript; ink on palm leaf
12th centuryNepaleseInk, opaque watercolor and gold on paper
14th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianCalligraphy; ink, opaque watercolor and gold on paper, with red lacquer binding
16th and 19th centuryPersianThe thirty-sixth of a series of 54 backing sheets mounted in an album; ink and color on paper
16th centuryJapaneseTwo-sided horizontal accordion-fold album; ink and colors on paper; with lacquered covers with traces of gold decor
19th centuryThaiInk, opaque watercolor and gold on paper
16th centuryPersian