12th century
The walls of this shallow, circular bowl extend laterally from the circular footring (to form the vessel floor), then rise vertically to the mouth rim. The piece is fully glazed inside and out, save the bottom of the footring, which is unglazed (indicating that the bowl was fired right side up). The body clay is white and slightly transluscent; the grayish honey-yellow-hued glaze imparts a warm feel to the piece. The bowl was produced over a press mold set at the center of the potter's wheel: the mold determined the bowls shape and size and imparted the molded decoration on the interior; the potter's hands shaped the exterior and set the thickness of the walls. The potter cut the footring with a wood or bamboo scalpel after turning the bowl on the wheel. The bowl's interior boasts three registers of deocration over the cavetto, or side walls, and floor: at the very top is a narrow border of leaves; around the side walls is an undulating floral garland inhabited by baby boys, each of whom appears to support the garland's undulating stem; on the floor is an acquatic scene with various leaves and flowers, several fish, and a large bouquet of lotus blossoms, their stems bound together with a ribbon.
H. 6.6 x Diam. 25.2 cm (2 5/8 x 9 15/16 in.)
Eskenazi Ltd., London (Purchased by Gilbert and Stephanie Zuellig as a gift to the Harvard University Art Museums; the bowl was never a part of the Zuellig Collection.)
Jian ware: dark gray stoneware with dark brown glaze, the markings in iron oxide; the saggar made of coarse reddish buff firing clay. Probably from the kilns at Shuiji, Jianyang county, Fujian province
12th-13th centuryChineseQingbai ware: porcelain with pale sky-blue glaze over incised, carved, and roulette-wheel impressed decoration
12th centuryChineseDing ware: porcelain with clear glaze over molded decoration
12th centuryChineseNorthern black ware of Cizhou type: light gray stoneware with dark brown glaze, the markings in overglaze iron oxide, the lowest portion of the exterior dressed with black slip. From the Xiaoyu cun kilns at Huairen, Shanxi province.
12th centuryChineseJian ware: dark gray stoneware with dark brown glaze enlivened with markings in overglaze iron-brown slip. From the kilns at Shuiji, Jianyang county, Fujian province.
12th-13th centuryChineseNorthern black ware of Cizhou type: light gray stoneware with dark brown glaze, the markings in overglaze iron oxide. Probably from the kilns at Zibo, Shandong province.
12th-13th centuryChinese'Qingbai' ware: porcelain with pale bluish glaze over incised and carved decoration, the interior with appliqué containers, stylized sculpture, and leaf stems, the appliqué elements touched with iron-brown slip to add areas of localized color in firing. Probably from a kiln in Fujian province.
12th-13th centuryChineseDing ware: porcelaneous white stoneware with ivory-hued glaze over mold-impressed decoration, the unglazed rim bound with metal. From the Ding kilns at Quyang, Hebei province.
12th-13th centuryChineseLongquan celadon ware: light gray stoneware with grayish olive celadon glaze over applique decoration
12th-13th centuryChineseYaozhou ware: light gray stoneware with celadon glaze over carved, incised, and combed decoration. From the Yaozhou kilns near Tongchuan, Shaanxi province.
12th-13th centuryChineseJian ware: dark gray stoneware with dark brown glaze enlivened with markings in overglaze iron-brown slip; the lip banded with metal. From the kilns at Shuiji, Jianyang county, Fujian province.
12th-13th centuryChineseLongquan celadon ware: light gray stoneware with bluish green celadon glaze over applique decoration
12th-13th centuryChinese