probably 1990s
Colored washes evoke the idyllic blue-and-green landscapes of classical Chinese painting with a luminous clarity, yet the hue is untraditional. The varied tones of green give the work a more Western watercolor style, but the brushwork is unmistakably Chinese. An artist without formal training in painting and calligraphy, Xia Yifu developed an individual technique that could capture the monumentality of traditional landscapes. Chu-tsing Li said of Xia’s work: “We can see a reflection of the artist’s own inner nature, as well as the embodiment of the intricacies of nature, the desire for transcendence and release from mortal life, and a realm in which everything, including one’s self, is forgotten.”
painting proper: 80 x 64 cm (31 1/2 x 25 3/16 in.) Framed: 102.87 x 85.09 x 5.08 cm (40 1/2 x 33 1/2 x 2 in.)
Xia Yifu, Taiwan (1990s-by 2004?), gift or sold?; to Chu-tsing Li, Lawrence, Kansas (by 2004?-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin (2012-2014), gift; to Harvard Art Museums, 2014. Footnotes: 1. Dr. Chu-tsing Li (1920-2014)
Album leaf; ink and color on paper
19th-20th centuryChineseHanging scroll; ink and light colors on paper; with signature of the artist reading "Xiong Hai"; with square, red, intaglio seal of the artist following the signature
20th centuryChineseAlbum with wooden covers; ink and color on paper
19th-20th centuryChineseMixed media on canvas, with artist’s signature
20th centuryChineseHanging scroll; ink and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseInk and color on paper
20th centuryChineseFolding fan on baitong (nickel brass) frame; ink and color on silk; signed 'Yangzhu Shanren' on one side and 'Li Zhuxi' on the other; inscribed transciption of "Preface to the Orchid Pavilion Gathering" on the frame
20th centuryChineseOne from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90"
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseInk and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChinese