1969
Subtly varied in its earthy browns and celestial blues, and vigorously brushed in black ink, this horizontal composition shares some affinity with “landscapes” despite its nonobjective composition. An imaginary space asserts itself around some of the forms and offers a vaguely organic impression. Feng Zhongrui, who left China for Taiwan in 1949, was a member of the Fifth Moon Group. Like other members of the group, he developed a modernist style, incorporating elements inspired by Western abstract expressionism into Chinese painting. He achieved spontaneous effects by splashing and applying ink and color with a palm-fiber brush.
painting proper: 34 x 94 cm (13 3/8 x 37 in.) Framed: 68.58 x 119.7 x 5.08 cm (27 x 47 1/8 x 2 in.)
Feng Zhongrui, Taiwan (1969-by 1973?), probably gift; to Chu-tsing Li, Lawrence, Kansas (by 1973?-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin (2012-2014), gift; to Harvard Art Museums, 2014. Footnotes: 1. Dr. Chu-tsing Li (1920-2014)
Album leaf; ink and color on paper
19th-20th centuryChineseHanging scroll; ink and color on paper
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20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseAlbum with wooden covers; ink and color on paper
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20th centuryChineseFramed horizontal wall scroll; ink on paper; with two seals of the artist, the upper one reading "Liu Dan Yin", the lower one reading "Hu Ran Ke"
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20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseAlbum leaf; ink and color on paper
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20th centuryChinese