probably 1980s
Three rocky land masses rise from the water, with a hint of mist surrounding the distant peak. An air of isolation, perhaps desolation, emerges from trees rendered with deliberate naïveté. The simple depictions of buildings convey honesty and integrity. The artist concludes her inscription with “Chu-tsing, my venerable brother, asked me to imitate the old style.” The first part of the inscription, however, expresses the dilemma of combining tradition with experimentation: “Some think bringing forth new ideas is good; others think relying on the past is good. I sing a new melody, but use the old tone. Am I neither here nor there?” Trained in Beijing by artists of the former Manchu court, Zeng mastered the classical tradition in both technique and spirit. After moving to Honolulu in 1949, she began to experiment with Western abstract painting and developed a distinctive modern style. This work, as the inscription indicates, is an attempt to capture the spirit of a traditional ink painting.
painting proper: 56 x 43.4 cm (22 1/16 x 17 1/16 in.) full mounting: 118.3 x 52.9 cm (46 9/16 x 20 13/16 in.)
Zeng Youhe, Honolulu, probably 1980s, gift; to Chu-tsing Li, Lawrence, Kansas (1964-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin (2012-2015), gift; to Harvard Art Museums, 2015. Footnotes: 1. Dr. Chu-tsing Li (1920-2014)
Album leaf; ink and color on paper
19th-20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseHanging scroll; ink on paper; with artist's dedication, signature, and seals
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90"
20th centuryChineseHanging scroll; ink and slight color on paper; with inscription, signature, and seal, all purportedly of th artist; the square, red, intaglio seal reading "Chang Shi"
20th centuryChineseAlbum leaf; ink and color on paper
19th-20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseInk and color on paper
20th centuryChineseOne from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90"
20th centuryChineseHanging scroll; ink and colors on paper; with signature reading "Dong Shouping" and artist's seal reading "Shouping"
20th centuryChinese