perhaps 18th-19th century
This small votive plaque has a flat bottom, nearly vertical sides, and a scalloped top in the form of an ogival arch. This Buddhist plaque features three bodhisattvas, each molded in low relief and each seated on a lotus base and before a mandorla. Two bodhisattvas appear side side-by-side in the lower half of the plaque; a single bodhisattva sits in the narrower, upper half of the plaque. Scrolling clouds (or possibly scrolling foliage) fill the interstices of the design. The back and sides of the plaque are undecorated. It is possible that the plaque--or at least its front face--originally might have been painted; if so, all traces of pigment have vanished. The surfaces of this plaque are a bit indistinct, either through wear or, more likely, through its creation with an old, well-used, and much-worn mold.
H. 7.1 x W. 6.2 x D. 1.2 cm (2 13/16 x 2 7/16 x 1/2 in.)
Edmund Lin (1928-2006; Professor, Harvard Medical School), Boston; by bequest to the Harvard Art Museum
Electrotyped metal
20th centuryGermanSun-dried clay
9th centuryCentral AsianBrass
10th-12th centuryByzantineClay, unfired
Central AsianMolded red earthenware
ChineseElectrotyped metal
20th centuryGermanGilt bronze
17th centuryFrenchElectrotyped metal
20th centuryGermanClay, unfired
Central AsianClay, unfired
Central AsianElectrotyped metal
20th centuryGermanElectrotyped metal
20th centuryGerman