c. 1730
The painting depicts Maharao Durjan Sal of Kota (r. 1723-1756) plaiting Krishna’s hair. The Maharao is distinguished by his double-pearl earring, elaborate dress and jewelry, and halo bordering his profile. Krishna, the eighth avatar of Vishnu, revered as a god in his own right. The enthroned blue-skinned deity also bears double-pearl earring, jewelry, and halo. Krishna gesters to a priest seated cross-legged in front of him, who wears a translucent shawl and white skirt. Three other figures face Krishna, either seated or standing. An attendant near the throne carries a long sword over his left shoulder. Behind Durjan Sal is an attendant carrying a fan made of peacock feathers. The depiction of Krishna refers to Brijnathji, a local form of Krishna that was the family deity of the royal family of Kota. Brijnathji is frequently rendered either accompanying a ruler or participating in Kota courtly activities, conflates the deity with the ruler, fostering the concept of the “divine king”, and demonstrates a direct relationship between the king and god. Rajput Style.
35.2 x 30 cm (13 7/8 x 11 13/16 in.) framed: 66.04 x 58.42 x 1.91 cm (26 x 23 x 3/4 in.)
Opaque watercolor on paper
18th-19th centuryIndianOpaque watercolor, gold and metallic pigment on paper
18th centuryIndianOpaque watercolor, gold and metallic pigment on paper
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianInk and opaque watercolor on paper
18th-19th centuryIndianOpaque watercolor on paper
18th centuryIndianOpaque watercolor, gold and metallic gray watercolor on paper
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor, gold and metallic gray watercolor on paper
18th centuryIndianOpaque watercolor on paper
18th centuryIndianOpaque watercolor, gold and metallic gray watercolor on paper
18th-19th centuryIndianOpaque watercolor and some gold on paper
18th centuryIndian