17th century
21.9 × 27.3 cm (8 5/8 × 10 3/4 in.)
Possibly Jacob de Wit. Possibly Joseph Daniel Böhm, Vienna (L. 1442, without his mark). Rudolf Peltzer, Cologne (L. 2231, with his mark). Possibly Werner Weisbach, Basel, Switzerland. Paul J. Sachs, Cambridge, MA (L. 2091, without his mark), to Charles A. Loeser, Florence, Italy, bequest; to Fogg Art Museum, 1932.
Red chalk counterproof on cream antique laid paper, laid down on antique laid paper
17th centuryFlemishBrown ink and brown wash over black chalk on off-white antique laid paper; verso: incidental red chalk
17th centuryFlemishBrown wash, black chalk, and touches of white chalk on blue antique laid paper, framing line in brown ink; verso: brown wash and black and white chalk, framing line in brown ink
17th centuryFlemishBrown ink, brown wash, white opaque watercolor and red chalk on oiled (?) antique laid paper
17th centuryFlemishWatercolor and black ink on beige antique laid paper, mounted overall; framing line in brown ink
17th centuryFlemishBlack ink, gray and green wash, and white, gray, and yellow opaque watercolor over black chalk on buff antique laid paper, framing line in brown ink, laid down on thick laid card
17th centuryFlemishBlack chalk, white opaque watercolor, and brown, gray, and red transparent watercolor on light tan antique laid paper, partial framing line in brown ink, ; verso: red chalk and transparent watercolor
17th centuryFlemishTransparent watercolor on blue paper
17th-18th centuryFlemishTransparent and opaque watercolor and brown ink over graphite on cream paper
17th centuryFlemishBlack and white chalk and black wash on light tan antique laid paper, mounted overall
17th centuryFlemishBrown ink, brown wash and black chalk, squared in black chalk, on cream antique laid paper, partial framing line in brown ink; verso: brown ink
17th centuryFlemishBrown ink and gray and blue watercolor on cream antique laid paper, partial framing line in brown ink
17th centuryFlemish