c. 1761
The symbolical figure of Innocence sits at the left heavily draped, turned one quarter right, holding a dove in her hands, which are at her right side; the figure of justice sits at the right, heavily draped, turned one quarter right, with her head in profile; she holds the scales in her left hand and by her right side is an ostrich. The figure with a dove is copied from the symbolical figure of Innocence who sits at the left of Leo I in Giulio Romano's fresco in the Sala di Constantino. The one at the right is copied from Justice who sits to the left of Pope Urban in the same room. Justice appears in reverse in the second series of aquatints for the Saint-Non publication (pl. 60) in the center of the page, with a figure of Polidoro at either side. The legend is "Frago del . . . Saint Non Sc. 1772."
19.5 x 27.6 cm (7 11/16 x 10 7/8 in.)
Richard Owen, Paris; Harvard Art Museums/Fogg Museum, Gift of Richard Owen, inv. no. 1931.245
Watercolor and black ink over traces of graphite on off-white antique laid paper, adhered to cream antique laid paper
18th centuryFrenchRed chalk on cream antique laid paper, laid down on cream wove paper
18th centuryFrenchGraphite on cream laid paper
18th-19th centuryFrenchGraphite on off-white antique laid paper
18th centuryFrenchBlack ink, brown wash and white gouache over graphite on cream antique laid paper, framing line in black ink, laid down on a decorated mount
18th centuryFrenchRed chalk on cream antique laid paper, laid down on a decorated mount, framing lines in black ink
18th centuryFrenchBlack chalk and charcoal on off-white wove paper, mounted to light tan laid paper
18th-19th centuryFrenchRed chalk counterproof on cream antique laid paper, laid down on tan laid paper, framing line in black ink
18th centuryFrenchBlack and white chalk on tan laid paper
18th centuryFrenchBlack ink and watercolor over traces of graphite on off-white antique laid paper, framing line in black ink, laid down on a decorated mount
18th centuryFrenchWatercolor and black ink over traces of graphite on off-white antique laid paper, adhered to cream antique laid paper
18th centuryFrenchRed chalk counterproof heightened with white chalk on toned tan antique laid paper
18th centuryFrench