Farm Buildings on a Hill with Horseman; verso: Town and Watermill; Farm Buildings in a Valley

Artists

Dimensions

29 x 22 cm (11 7/16 x 8 11/16 in.) frame: 56.1 x 45 x 4 cm (22 1/16 x 17 11/16 x 1 9/16 in.)

Provenance

Paolo del Signoraccio, called Fra Paolino da Pistoia, Convent of San Marco, Florence, Probably artist's bequest to Fra Paolino, 1517, Bequest to Suor Plautilla Nelli. Fra Paolino da Pistoia (died 1547) was Fra Bartolommeo's studio assistant and, according to Vasari and Lorenzo di Credi, his heir. Suor Plautilla Nelli, Convent of S. Caterina, Florence, Possibly acquired from Fra Paolina, 1547, Remained at the Convent of Santa Caterina, 1588. Suor Plautilla Nelli, Fra Paolina's pupil, entered the Convent of Santa Caterina in 1537. Fra Paolina must have given her the drawings before his death in 1547. The work remained at the convent until 1725. Convent of Santa Caterina da Siena, Piazza San Marco, Florence, Bequest from Suor Plautilla Nelli, 1588, Sold to Cavaliere Francesco Gabburri, 1725. Possibly from the convent. (Buyer: Cavaliere Francesco Maria Nicolò Gabburri) Cavaliere Francesco Maria Nicolò (1676-1742) Gabburri, Florence, Purchased from Convent of S. Caterina da Siena, 1725, Sold by Gabburri's heirs, 1742. The landscape drawings were bound into an album c. 1730. The frontispiece of the album bore the coat of arms of Gabburri. The drawings were attributed at that time to Andrea del Sarto. For information on Gabburri see L. 2818, L. Suppl. 2992b. See also the preface to the Sotheby's sale catalogue of 1957 and Chris Fischer in the Rotterdam catalogue of 1990, pp. 12-17. Fischer postulates that the landscape drawings were not part of the 505 Bartolommeo drawings purchased by Gabburri from the Convent of Santa Caterina in Florence, but instead came from another source as they were not at that time recognized to be by Bartolommeo. This is credible as Lorenzo di Credi's inventory of the drawings given to Fra Paolino da Pistoia lists 830 loose sheets and 12 sketchbooks, but misses out 66 of the separate landscape drawings. William Kent, London, Purchased from the heirs of Gabburri, 1742, Sold to private collector in England by 1768. Chris Fischer in the Rotterdam catalogue, 1990, p. 15, notes that some of the landscapes were copied by Robert Surtees, an amateur artist from Durham, in drawings dated 1768 and sold at Christie's in London on March 18, 1980, lot no. 6.The provenance identification of William Kent has been the subject of some dispute. Please see the article by John Fleming, "Mr. Kent, Art Dealer, and the Fra Bartolommeo Drawings," "The Connoisseur," vol. CXLI, 1958, p. 227. At the time of the 1957 sale it was assumed that the drawings were owned by William Kent, the architect. Fleming, however, noted that was far more likely that the works were obtained by his namesake, a dealer, who made extensive purchases in Italy for a number of English clients. Private Collector, Ireland, Purchase, 1925, Sold at Sotheby's, London, 1957. Sale, November 20, 1957, lot no. 4, repr. The private collector was identified as Sir Thomas Phillipps (subsequently his heirs) in "An Exhibition of Old Master Drawings," New York/London (Richard Day), 1988, under no. 8. Private Collector, England, Probably acquired from William Kent, 1768, Unknown, 1925. Probably passed through a number of private Eng. collections until 1925 Sotheby's, London, Sold as "The Property of a Gentleman", sold to P. & D. Colnaghi, 1957. Sale, November 20, 1957, lot 4, repr. P. & D. Colnaghi & Co. Ltd., London, sold to Philip and Frances L. Hofer, Cambridge, Massachusetts, 1958; bequest of Frances L. Hofer, 1979.54.