1863
89.5 x 36.7 cm (35 1/4 x 14 7/16 in.)
[Possibly artist’s executor’s sale at T. G. Wharton, Auctioneers and Estate Agents, London, May 29-31, 1894, either lot 243 or 253, sold]; to possibly either Harold Rathbone or Westminster Technical Institute. [Sotheby’s Belgravia, London, March 18, 1980, lot 52, sold]; to Warren R. Stone (1980-1981), gift; to Fogg Art Museum, 1981. Notes: 1. In the 2010 Ford Madox Brown catalogue raisonné, Mary Bennett lists two lots from the T.G. Wharton, Auctioneers sale May 29-31, 1894 which may have included the drawing: lot 243 “St. John and St. Peter” and lot 253 “Charlemagne and St. John.” Mary Bennett is unable to verify with certainty, however, that this piece was part of either lot. If the design was sold as lot 243, it was purchased by Harold Rathbone; if it was sold as lot 253 it was purchased by Westminster Technical Institute. 2. In the same catalogue raisonné Mary Bennett further notes that in the FMBP copy of the T.G. Wharton Auctioneers sale catalogue the St. John listing for lot 253 is deleted.
Brown ink, graphite, watercolor, and white gouache on cream antique laid paper
18th-19th centuryBritishBlack and red chalk on cream wove paper; verso: red chalk
19th-20th centuryBritishWatercolor over graphite on cream wove paper
19th centuryBritishBlack and white chalk on gray paper
19th centuryBritishWatercolor, black ink and graphite on cream laid paper
19th centuryBritishGraphite on heavy cream wove paper
19th centuryBritishGraphite on cream modern laid paper
19th centuryBritishBlack ink on vellum
19th centuryBritishWatercolor on cream wove paper
19th-20th centuryBritishWatercolor and gouache, graphite, and white chalk on cream wove paper, darkened
19th centuryBritishGraphite on heavy cream wove paper
19th centuryBritish