c. 1533-39
20.7 x 32.8 cm (8 1/8 x 12 15/16 in.) mount: 29.1 x 41.2 cm (11 7/16 x 16 1/4 in.)
Richard Cosway, Esq., London (L. 628, lower left), probably sold; [G. Stanley, London, 14 21 February 1822, perhaps either lot 172 (as Heemskerk), lot 347 (as Bandinelli), or lot 572 (as Michelangelo)]. Sir Thomas Lawrence, London (L. 2445, lower left). [1] Possibly Samuel Woodburn, London, sold; [Christie’s, London, 20 June 1854, lot 794 (as Coxie, "The Deluge")]. Sir J. C. Robinson, London (L. 1433, variant, lower left), sold; [Christie's, London, 12 May 1902, lot 95]; to [F. J. Parsons, London.] Frederick N. Price (president of Ferargil Galleries), New York, given; to Swarthmore College, Swarthmore, Penn., 1933-41 (inv. no. 403), deaccessioned; to [James A. Bergquist, Boston] sold; to Fogg Art Museum, 1982; Curatorial Study Group Fund, Marian H. Phinney Fund, William C. Heilman Fund and Paul J. Sachs Memorial Fund, 1982.50. 1. The drawing is not known in Lawrence's sales of 1830, 1831, or 1860, nor is it in his inventory housed in the Victoria and Albert Museum.
Gray and brown ink, white and pink opaque watercolor, on gray-blue prepared paper, partial framing line in gray ink
16th centuryNetherlandishBlack ink and white opaque watercolor on rose prepared paper, with a probably later graphite line; verso: black chalk
16th centuryNetherlandishBrown ink and gray, yellow and rose wash over black chalk, incised, on cream antique laid paper, framing line in brown ink, mounted on an album leaf; verso: outlines of recto are traced through in black chalk, incised
16th centuryNetherlandishBlack ink, gray wash and white opaque watercolor, incised, on brown prepared paper, framing line in black ink
16th centuryNetherlandishBrown ink, gray and rose wash over black chalk, incised, on cream antique laid paper, framing line in black chalk and brown ink, mounted on an album leaf; verso: partially visible, outlines of recto are traced through in black chalk, incised
16th centuryNetherlandishBlack ink and gray wash over black chalk on off-white antique laid paper
16th centuryNetherlandishBrown ink and brown wash over touches of black chalk, extensively incised, on cream antique laid paper, framing line at top, right, and left sides and partial brown ink framing line at top, laid down
16th-17th centuryNetherlandishBrown ink and brown wash over touches of black chalk on light tan antique laid paper, framing line in brow nink; verso: black ink
16th centuryNetherlandishBrown ink over touches of black chalk on off-white antique-laid paper, laid down
16th centuryNetherlandishBrown ink, brown wash, and touches of black chalk on cream antique laid paper
16th centuryNetherlandishBrown ink and brown wash over touches of black chalk, incised, on off-white antique laid paper, framing line in brown ink, laid down on a gold-bordered mount
16th centuryNetherlandishBrown ink and brown wash on off-white antique laid paper, autograph framing lines in brown ink, mounted overall
16th centuryNetherlandish