1654
19.4 x 27 cm (7 5/8 x 10 5/8 in.)
Possibly Queen Christina of Sweden (?-1689), by descent; to Cardinal Decio Azzolini (by 1689), by descent; to Marchese Pompeo Azzolini. Prince Livio Odescalchi, Rome (?-1713), by descent; to Odescalchi Family (1713-1960), sold; [to Georges Wildenstein (1960-1968), sold]; to Norton Simon, Los Angeles and Pasadena, CA (1968-1980), sold; [to Thomas Agnew & Sons Ltd., London (1980-1994), sold]; [through Sotheby’s, New York, January 12, 1994, lot 57]; [to Vermeer Associates Limited, New York, NY (1994-1996), sold]; to Harvard University Art Museums, 1996. Notes: 1. In his 1971 publication “The Claude Lorrain Album in the Norton Simon, Inc. Museum of Art” Marcel Roethlisberger claims that the “Wildenstein-Norton” album the drawing belonged to was dismantled in 1970 (see p.5). It is certain that the album had been dismantled by 1973, when the Fogg Art Museum received sixty individually framed Claude Lorrain drawings to be exhibited in the traveling exhibition “The Claude Lorrain Album in The Norton Simon Inc. Museum of Art.” Hence the above listed provenance refers to the entire album until circa 1970 when it was dismantled and the drawing was sold separately. 2. The private collector Norton Simon purchased the drawing in 1968. In 1974 Norton Simon assumed the leadership of the financially troubled Pasadena Museum of Art. After integrating his private collection into the museum’s collection the museum was renamed the Norton Simon Museum of Art in 1975. The drawing may have been part of the museum's collection before being sold in 1980.
Brown ink on cream antique laid paper
17th centuryFrenchBlack and white chalk with gray wash on tan antique laid paper, laid down on a decorated mount
17th-18th centuryFrenchBlack chalk on cream antique laid paper
17th centuryFrenchBlack ink, gray wash, and white gouache, over traces of black chalk on light tan antique laid paper, framing lines in black chalk, laid down on heavy tan antique laid paper
17th centuryFrenchBlack and white chalk on tan antique laid paper, framing lines in black ink, laid down on off-white antique laid paper
17th centuryFrenchBlack chalk, brown ink, and gray wash on light-tan antique laid paper, framing lines in black chalk; verso: black chalk
17th centuryFrenchBrown ink and brown wash over graphite on off-white antique laid paper, adhered to card, framing lines in black ink
17th centuryFrenchBrown ink, black chalk, and brown wash on tan antique laid paper, squared in black chalk, laid down on off-white card, framing lines in black ink
17th-18th centuryFrenchBrown and black ink, brown wash, and watercolor on parchment, partial framing line in black ink; verso: traces of graphite
17th centuryFrenchBlack chalk on cream antique laid paper
17th centuryFrenchRed and black chalk on light tan antique laid paper
17th-18th centuryFrenchBrown and black ink on cream antique laid paper, framing line in black ink, laid down on a decorated mount
17th centuryFrench