c. 1659
18.8 x 29.9 cm (7 3/8 x 11 3/4 in.) mount: 24.3 x 35.3 cm (9 9/16 x 13 7/8 in.)
Henry Constantine Jennings, London (L. 2771, without his mark), sold; [Christie's, London, 15 April 1778, lot 29]; to James Peachey, 1st Baron Selsey, or John Peachey, 2nd Baron Selsey, by descent; to his heirs, sold; [Sotheby’s, London, 20-28 June 1872, 9th day’s sale, under lot 2642] to; [Jane Noseda, London]. Henry Oppenheimer, London, sold; [Christie’s, London, 10, 13-14 July 1936, lot 272A] to; [Thomas Agnew and Sons, London]. Carl Robert Rudolf, London, 1956 (L. 2811b, mount, lower right). [1] A. Simon, Hoe Farm, Surrey. Maida and George Abrams, Boston, 1981 (L. 3306, verso, lower right); The Maida and George Abrams Collection, Gift of George Abrams in memory of Roger Sonnabend, Harvard Business School Class of 1949, 2011.514. [1] According to the Oppenheimer sale catalogue, our drawing was from the “(?) Philipe Collection,” which Hans Ulrich Beck interpreted to be T. Philipe - presumably Thomas Philipe of London, whose sales occurred in the early 19th century. However, the verso inscriptions demonstrate that the first or second Baron Selsey purchased the drawing at Jennings’s sale in 1778. It remained in the family until 1872, excluding Philipe’s ownership. Furthermore, William Robinson (Amsterdam et. al 1991, cat. no. 34) and Beck previously published this drawing with provenance including Alfred Brod in 1963. Robinson identified our drawing with cat. no. 57 in Brod’s catalogue of that year; however, the Brod drawing is a different drawing by Molijn which is signed and dated 1659.
Brown ink and blue-gray wash, squared in graphite, on off-white antique laid paper
17th centuryDutchBlack and white chalk on blue paper
17th centuryDutchBrown ink and black chalk on light tan antique laid paper
17th centuryDutchRed chalk on cream antique laid paper
17th centuryDutchBrown ink, transparent watercolor, gray wash and red chalk over traces of black chalk on off-white paper, mounted on antique laid paper
17th centuryDutchBrown ink, brown wash, and white opaque watercolor over black chalk and graphite on blue antique laid paper; verso: brown ink, brown wash, and white opaque watercolor over graphite
17th centuryDutchBrown ink, brown wash and white opaque watercolor over black chalk on off-white antique laid paper, prepared with brown wash, traces of a framing line in black chalk
17th-18th centuryDutchBrown ink and brown wash on cream antique laid paper
17th centuryDutchBlack chalk and brown ink on cream antique laid paper
17th centuryDutchBrown wash, brown ink, and black chalk on cream antique laid paper, framing line in brown ink
17th centuryDutchTransparent watercolor, with application of gum, and opaque watercolor over traces of black chalk on cream antqiue laid paper
17th centuryDutchWatercolor over graphite on cream antique laid paper
17th centuryDutch