SculptureEtruscan3rd-1st century BCE

Votive Terracotta Uterus

3rd-1st century BCE

Description

Votive terracotta uterus. Reddish buff clay, porous, with gritty black impurities, broken on two sides. Most likely from a sanctuary votive deposit in Etruria (central Italy). Such terracotta uteri may have been given either as a request for health or as an offering of thanks before or after childbirth. Some remnants of red paint are faintly visible, suggesting the votive was painted, as was common. Models of uteri varied, which is unsurprising considering there is scant evidence for human dissection in antiquity; however, some sort of ribbed effect, as seen here, was especially common, perhaps signifying muscles contracting in third-stage labor. Because of the variety of forms, as well as uncertainty about ancient understandings of the uterus, it is debated whether such votives indeed represent uteri or other internal organs, such as the bladder or stomach. The practice of creating and dedicating anatomical renderings as votive offerings was widespread in ancient Etruria and Latium, evident from the seventh century BCE onward and most popular in the Hellenistic period (3rd–1st centuries BCE). A variety of body parts were depicted, from whole and half heads, to arms and legs, hands and feet, and fingers and toes, to eyes and ears, female and male genitalia, and breasts, to internal organs, including the uterus, heart, and bladder. Anatomical votives have been found exclusively at sanctuaries, spread over some 300 sites in the Etrusco-Italic region. Similar votives appear also in Greek sanctuaries, though in the shrines of very few gods (e.g., Asklepios), whereas a wide range of the gods worshipped in Etruria and Latium received anatomical votives. Because very few Etruscan anatomical votives include dedicatory inscriptions, it is uncertain whether they were offered to a god according to a vow (ex voto) to give thanks after a wish had been fulfilled or to encourage the god’s participation in granting a request or prayer. In either case, votives appear to have been offered by individuals as part of a ritual, with considerable numbers of such votives found at or near sanctuary altars and most found grouped in secondary deposits (presumably to make room for new offerings). In the absence of dedicatory inscriptions, the meaning of these anatomical votives is debated. They may have been given more literally for the protection or cure of certain body parts and their capabilities, or they may have represented something more figurative (e.g., ears signifying being heard by the god, eyes as being seen, or hands expressing persistent prayer). For further reading, see: Matthias Recke, “Science as Art: Etruscan Anatomical Votives,” in The Etruscan World, ed. Jean MacIntosh Turfa (London: Routledge, 2013), 1068–85. Matthias Recke and Waltrud Wamser-Krasznai, Kultische Anatomie: Etruskische Körperteil-Votive aus der Antikensammlung der Justus-Liebig-Universität Giessen (Stiftung Ludwig Stieda) (Ingolstadt: Deutsches Medizinhistorisches Museum, 2008). Jean MacIntosh Turfa, “Anatomical Votives,” in Thesaurus Cultus et Rituum Antiquorum (ThesCRA), vol. 1, Processions – Sacrifices – Libations – Fumigations – Dedications (Los Angeles: Getty Publications, 2004), 359–68.

Classification

Sculpture

Technique

Mold-made

Medium

Terracotta

Culture

Etruscan

Period

Hellenistic period

Century

3rd-1st century BCE