late 17th century
The superfrontal, for an altar, has a crimson plain weave silk ground with embroidered appliqués and embroidered decoration. The stitches employed are primarily satin and couched. The appliqués have a linen plain weave ground and are framed with padded embroidery. There are five medallions depicting the life of Saint Rita of Cascia, an Augustinian nun, interspersed with four cherubs and flowers (tulips and carnations), some small birds and insects. From left to right the scenes depict: a nun saint wearing a black and white habit, with a wound in her forehead, lying in her coffin; a nun saint kneeling at an altar with a Corpus, receiving a head wound from Christ's crown of thorns; a novice at her clothing; a young nun with St. Nicholas of Tolentino (an Augustinian holding a lily), St. Augustine of Hippo (a bishop saint), and St. John the Baptist; the future nun as a baby with her parents - the bed hangings contain bee motifs. The border is a dagged design defined by a double row of gilt metallic yarns with a small flower in each of the points. The backing (not contemporary) is a silk plain weave.
21 x 142.5 cm (8 1/4 x 56 1/8 in.)
Nettie G. Naumburg, New York, Bequest to the Fogg Art Museum, 1930.
Book of swatches mounted on paper (56 sheets)
19th-20th centuryJapaneseRed wool ground with blue wool borders, the appliqué decoration in fabrics of varied color stitched in place, the tassels sewn along the lower edge of the bottom border, the banner backed with medium-blue cotton cloth
19th centuryTibetanFiber/filament
ItalianTextile fibers
20th centuryCroatianWarps: 3 Z spun S plied undyed white wool, some slightly darker; alternate warps slightly depressed. Weft: 1 ply Z spun undyed buff, or dyed red (Qashqai); 2 or 3 yarns per shoot. Pile: 2 S plied Z spun wool. Pile colors: dark indigo blue, blue green, medium blue, yellow, yellow green, white, dark brown/black. Knots: asymmetrical, open to the left. Knots per vertical decimeter: 49. Knots per horizontal decimeter: 48. Both selvedges: rewrapped. Top end: approz 1 cm. blue and white double cloth float weaved followed by double line countered soumak in red and white. Bottom end: stripped.
19th centuryPersianHeavy blue satin with gold brocade
19th centuryChineseWool and linen
5th-6th centuryByzantine