Rattan
19th centuryIndonesianSilver
Unidentified cultureWatercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersianEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels
17th centuryChineseQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseIncised celadon ware: light gray stoneware with celadon glaze over incised decoration
11th centuryKoreanBrass
19th centuryPersianLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and tortoiseshell inlays
17th-18th centuryJapaneseLacquer on wood
19th centuryThaiLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver) and silver inlays; stone, metal, and enamel fittings
17th centuryJapaneseLacquer on wood with decoration in gold and seisei urushi (cooked lacquer) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; gold and shakudo (copper-gold alloy) fittings
18th centuryJapaneseLacquer on wood with Namban-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and harigaki (linear incising) techniques, and with raden (mother-of-pearl) inlays; metal fittings
16th-17th centuryJapanese