late 16th century
This drawing shows a reclining woman with only her lower torso covered with her clothes. Her arms are crossed above her head and a head scarf floats loosely above her breasts. Her long hair can be seen through as well. S.C. Welch attributes the drawing to Aqa Riza’s work in the late 16th century. He suggests that it was made after an Italian print of Marcantonio Raimondi. The nasta’liq calligraphy on the other side of the album page is signed by Ahmad al-Husayni and was most likely illuminated by him based on his name. The margins on both sides are decorated with floral stencils.
34 x 23.7 cm (13 3/8 x 9 5/16 in.)
Kevorkian. Stuart Cary Welch, Jr., Warner, New Hampshire (by April 1, 1969-2008), by inheritance; to Edith I. Welch, Warner, New Hampshire (2008-2011), gift; to Harvard Art Museums 2011.
Ink and opaque watercolor on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, gold, and opaque watercolor on paper
16th centuryPersianInk, gold, and opaque watercolor on paper
16th centuryPersianInk and opaque watercolor on paper
16th centuryPersianBlack ink and watercolor on off-white paper
16th-17th centuryPersianInk and reed pen on paper
16th centuryPersianInk and gold on paper
16th centuryPersianInk, opaque watercolor, gold and silver on paper
16th centuryPersianInk, gold, and opaque watercolor on paper
16th centuryPersianOpaque wtaercolor, ink and gold ink on paper
16th centuryPersianBlack ink and watercolor on beige paper
16th centuryPersian