c. 1720-1730
At the bottom of the page is a falconer mounted on a caparisoned horse. He wears a turban, an earring, a long robe (jama), a waist sash (patka), and a falconer’s glove on his right hand. Tucked into his waist sash is a small dagger. The falconer holds the reins in his left hand, while his right hand is held upward. The falconer looks up watching his bird of prey attack a crane in midair. Small holes can be found outlining some of the figures. The holes represent a transferring technique known as pounce. Powder, such as graphite or chalk, is passed through the holes onto a clean working surface to give an exact copy of the image that is to be copied. Rajput style, Kota school.
17.5 x 11.1 cm (6 7/8 x 4 3/8 in.)
Stuart Cary Welch (by 1976 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of temporary loan to Museum in 1976.
Black, red and orange inks and watercolor on beige laid paper
18th centuryIndianInk, opaque watercolor, and watercolor on paper; Pahari Style, Kangra School
18th centuryIndianInk on paper
18th-19th centuryIndianBlack ink on deer skin (charba)
18th centuryIndianInk and opaque white watercolor on paper; Rajput Style, Kota School
18th centuryIndianInk and opaque watercolor on paper; Rajput Style
18th centuryIndianGray-black ink, watercolor and gold over charcoal on beige paper
18th centuryIndianBlack ink on paper
18th-19th centuryIndianBlack ink and opaque watercolor over black chalk underdrawing on tan laid paper; Rajput Style, Kota School
18th centuryIndianBlack ink and watercolor over traces of charcoal on off-white laid paper
18th centuryIndianInk and opaque watercolor on paper
18th centuryIndianBlack and red-brown inks and white opaque watercolor on beige paper
18th centuryIndian