19th century
The drawing depicts the Maharaja of Kota under a canopy. He holds a large shield in his lap and seated against a large bolster. The halo surrounding his head denotes his divinely-sanctioned rule, as well as his god-on-earth status. The attendants that surround him hold flywhisks, peacock feather fans, and large standards, all of which collectively signify the Maharaja’s royal status. The scene is filled with members of the royal court, each of them holding large shields in their laps. At the bottom right is a male figure with a black top hat, identified in the text as the Englishman, James Tod, an officer of the British East India Company. Rajput Style, Kota School.
20.2 x 32.5 cm (7 15/16 x 12 13/16 in.)
Stuart Cary Welch (by 1969 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of temporary loan to Museum in 1969.
Ink and opaque watercolor on three palm leaves hinged with cotton thread
19th centuryIndianInk and opaque watercolor on paper; Rajput Style
19th centuryIndianInk and opaque watercolor on eleven palm leaves hinged with cotton thread
19th centuryIndianInk on paper
19th centuryIndianOpaque watercolor and ink on paper; Company School
19th centuryIndianInk on paper
19th centuryIndianInk and opaque watercolor on paper; Rajput Style, Kota School
19th centuryIndianWatercolor and gouache on Whatman paper; Company School
19th centuryIndianOpaque watercolor on paper
19th centuryIndianInk and opaque watercolor on paper; Rajput Style
19th centuryIndianBlack ink and opaque watercolor on off-white laid paper
19th centuryIndianLeather
19th centuryIndian