late 16th century
A falcon perched on a rock holds the center of this drawing; the raptor is flanked by two dragon heads that face rightward; at the top of the page, a lion lopes to the left; and heads, snouts, and feet from unidentified animals populate the interstitial space. The seemingly random assembly of figures on this page suggests that it was a study sheet, an observation supported by the circular squiggle below the lion’s hind legs that was made by an artist pointing the brush or adjusting the amount of ink it carried. In this drawing the artist seems to have been rehearsing compositional elements in the finely articulated, calligraphic line that became popular in Safavid Iran.
32 x 20.5 cm (12 5/8 x 8 1/16 in.)
[F. R. Martin], Collector (by 1912). Stuart Cary Welch, Jr., Warner, New Hampshire (by 1983-2008), by inheritance; to Edith I. Welch, Warner, New Hampshire (2008-2011), gift; to Harvard Art Museums 2011.
Paper, glassine
20th centuryAmericanWatercolor, ink, and graphite on laid paper
18th-19th centuryBritishBlack marker on paper
20th centuryGermanWatercolor and black ink over traces of graphite on off-white antique laid paper, adhered to cream antique laid paper
18th centuryFrenchWatercolor on cream antique laid paper, the figure trimmed at all edges and mounted on antique laid paper
17th centuryDutchBrown ink and wash on cream paper
16th centuryDutchBlack marker on paper
Black marker on paper
20th centuryGermanCharcoal on off-white wove paper
20th centuryAmericanBlack marker and blue ink on paper
20th centuryGermanBlack crayon on off-white wove tracing paper
20th centuryAmerican