c. 1595
With a remarkable economy of means, this drawing presents a bearded man in an apparent state of meditation, seated before the tools of a scribe. His tall, bell-shaped cap suggests an affiliation with a Sufi or dervish order. Flowing lines of varying thicknesses define the mass of his body, while minute and delicate brush strokes suggest the textures of his beard, shaven head, and light shawl. Based on the exquisite calligraphic freedom of line coupled with a portrayal of a trance-like state, this drawing has been attributed to Aqa Riza (Riza Abbasi) by Stuart Cary Welch, and Sheila Canby.
32 x 20 cm (12 5/8 x 7 7/8 in.)
Stuart Cary Welch, Jr., Warner, New Hampshire (by April 1, 1969-2008), by inheritance; to Edith I. Welch, Warner, New Hampshire (2008-2011), gift; to Harvard Art Museums 2011.
Charcoal on cream laid paper
19th-20th centuryAmericanBlack ink and graphite on off-white wove paper
20th centuryAmericanColored chalks on cream antique laid paper, laid down on cream wove paper, with cream antique laid paper strips adhered to face
16th-17th centuryFrenchBrown ink and brown wash over black chalk on off-white antique laid paper
18th-19th centuryFrenchTransparent and opaque watercolor over graphite on off-white antique laid paper
17th-18th centuryDutchGraphite on paper
20th centuryAmericanGraphite on paper
20th centuryGerman?Colored marker on paper
Black marker on paper
Graphite on soft white wove paper
20th centuryAmericanBlack crayon on off-white laid paper
19th-20th centuryAmericanBlack crayon on off-white wove paper
20th centuryGerman