c. 1720
The Dipak Raga is intended to evoke the mood of intimacy between two lovers. In this folio, a prince and his consort are shown caressing on the ground floor of a palatial building. According to legend, one of the Mughal emperor Akbar’s (r. 1556-1605) musicians started a palace fire after being forced to perform this raga against his better judgment. Thus, depictions of this raga typically incorporate some sort of fire imagery. Here, two female attendants, completely executed in gold, hold up burning incense. Rajput, Rajasthani, Kota or Bundi school.
27 x 19.5 cm (10 5/8 x 7 11/16 in.)
Stuart Cary Welch (by 1969 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of temporary loan to Museum in 1969.
Ink, colors, and gold on paper
17th-18th centuryIndianOpaque watercolor on paper
18th-19th centuryIndianInk , Opaque watercolor and gold on paper
17th-18th centuryIndianOpaque watercolor, gold, and silver on paper
18th-19th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor and gold on paper
18th-19th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor, gold, and silver on paper; Rajput Style
18th-19th centuryIndianInk, opaque watercolor and gold on paper
18th centuryIndian