c. 1640-1660
The Gauri Ragini is meant to evoke a contemplative mood and is commonly represented by a female heroine (nayika) who is lovesick and reminisces about her lover in a forest. She typically holds flowers in her hands and her song and dance attract peacocks. Here, in this painting, the female figure, surrounded by lush trees, carries a large branch of flowers. On the top of a canopy is a peacock spreading its wings. This painting is a pictorial metaphor for a raga, a musical phrase that is used as the basis for improvisation). This folio most likely belonged to an album of Ragamala or "Garland of Melodies" folios produced in Malwa. Sanskrit verses associated with the raga or the ragini depicted on the recto are written on the verso. Other folios from the same series in the Harvard Art Museum’s collection are objects 1972.347, 1973.156, 1973.157, 1973.158, 1973.173, 1973.174. Rajput, Rajasthani, Malwa School.
23.65 x 15.72 cm (9 5/16 x 6 3/16 in.)
Ink and opaque watercolor on paper
17th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper
17th centuryIndianOpaque watercolor, ink, gold, and marbling on paper; Deccan Sultanate Style
17th centuryIndianOpaque watercolor on paper
17th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper; Rajput Style, Mewar School
17th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper; Mughal Style
17th centuryIndianOpaque watercolor and gold on paper
16th-17th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper; Rajput Style, Mewar School
17th centuryIndian