Jarasandha’s siege of Mathura (painting, recto; text, verso), folio from a Bhagavata Purana series
ManuscriptsIndian16th century

Jarasandha’s siege of Mathura (painting, recto; text, verso), folio from a Bhagavata Purana series

c. 1520 - 1540

Description

At the center of the folio is a walled fortress, which serves as our vantage point for the circular chaos below. Along with the four women on the terrace, we watch the battle unfold between Vasudeva’s sons, the blue-skinned Hindu god Krishna and his elder half-brother Balarama, and the king of Magadha, Jarasandha. After the death of Kamsa at the hands of Krishna, Kamsa’s widows persuade their father, Jarasandha, to mobilize the armies of demons against Krishna. To avenge his daughters, Jarasandha lays a siege to Mathura, the capital of the Yadus, on all sides. Krishna and Balarama decide to intervene and arrive on the battlefield in chariots sent to them by the gods. The story's antihero, Jarasandha, is seen on the left side of the folio, facing the two warriors with his hands joined together—in a position of surrender. The folio captures the moment in the narrative when Jarasandha’s chariot was struck by Balarama’s plow, killing his charioteer. Jarasandha realizes the divine nature of Krishna, and surrenders. This painting belongs to the 'Dispersed' Bhagavata Purana series, produced in the early 16th century, possibly in Mathura. The series, possibly consisting of 360 such folios, is based on the tenth book of the Bhagavata Purana, which describes the story of Krishna, particularly his childhood and youth. This series was one of South Asia's earliest illustrated Bhagavata Purana manuscripts. Each illustration is also accompanied by the text corresponding to the image on the reverse, written in Sanskrit. Other folios from the same Bhagavata Purana series in the Harvard Art Museum’s collection are objects 1963.145, 1974.124, 1974.125, 1974.127, 1992.283, 1995.66, 1995.67, 1995.68. Caurapancasika-group style. Text on Verso: Bhagavata Purana, Book Ten, Chapter 50, verses 25-35.

Classification
Manuscripts
Medium
Ink and opaque watercolor on paper
Culture
Indian
Century
16th century
Division
Asian and Mediterranean Art
Department
Department of Islamic & Later Indian Art

Dimensions

17.5 x 23.2 cm (6 7/8 x 9 1/8 in.)

Related Artworks

View More
Folio from a Jain religious manuscript (text, recto; text, verso)
Manuscripts
Folio from a Jain religious manuscript (text, recto; text, verso)
Unknown Artist, 16th century

Ink, opaque watercolor and gold on paper

16th centuryIndian
Firing up the Poet's Kettle (painting, recto; text, verso), folio 247 from a manuscript of the Divan of Anvari
Manuscripts
Firing up the Poet's Kettle (painting, recto; text, verso), folio 247 from a manuscript of the Divan of Anvari
Nanha, 1588

Ink, opaque watercolor and gold on paper

16th centuryIndian
Folio 259 (text, recto and verso), from a manuscript of the Divan of Anvari
Manuscripts
Folio 259 (text, recto and verso), from a manuscript of the Divan of Anvari
Unknown Artist, 1588

Ink, opaque watercolor and gold on paper

16th centuryIndian
Folio 261(text, recto and verso), from a manuscript of the Divan of Anvari
Manuscripts
Folio 261(text, recto and verso), from a manuscript of the Divan of Anvari
Unknown Artist, 1588

Ink, opaque watercolor and gold on paper

16th centuryIndian
Birds and Lotus (painting, recto, text, verso), folio 336 from a manuscript of the Divan (Collection of Works) of Anvari
Manuscripts
Birds and Lotus (painting, recto, text, verso), folio 336 from a manuscript of the Divan (Collection of Works) of Anvari
Unknown Artist, 1588

Ink, opaque watercolor, and gold on paper

16th centuryIndian
A Magnanimous Vizier (painting, recto; text, verso), folio 128 from a manuscript of the Divan of Anvari
Manuscripts
A Magnanimous Vizier (painting, recto; text, verso), folio 128 from a manuscript of the Divan of Anvari
Manohar, 1588

Ink, opaque watercolor and gold on paper

16th centuryIndian
Folio 172 (text, recto and verso), from a manuscript of the Divan (Collection of Works) of Anvari
Manuscripts
Folio 172 (text, recto and verso), from a manuscript of the Divan (Collection of Works) of Anvari
Mahesh, 1588

Ink, opaque watercolor, and gold on paper

16th centuryIndian
Indra Pays Homage to Krishna (painting, recto; text, verso), folio from a Bhagavata Purana series
Manuscripts
Indra Pays Homage to Krishna (painting, recto; text, verso), folio from a Bhagavata Purana series
Unknown Artist, c. 1520 - 1540

Opaque watercolor on paper

16th centuryIndian
The Beloved Arrives at Midnight (painting, recto; text, verso), folio 54 from a manuscript of the Divan (Collection of Works) of Anvari
Manuscripts
The Beloved Arrives at Midnight (painting, recto; text, verso), folio 54 from a manuscript of the Divan (Collection of Works) of Anvari
Shiva Das, 1588

Ink, opaque watercolor, and gold on paper

16th centuryIndian
Kamsa Sending Akrura to Fetch Krishna to Mathura (painting, recto; text, verso), folio from a Bhagavata Purana series
Manuscripts
Kamsa Sending Akrura to Fetch Krishna to Mathura (painting, recto; text, verso), folio from a Bhagavata Purana series
Unknown Artist, c. 1520 - 1540

Opaque watercolor on paper

16th centuryIndian
Kali Quaffs Blood in the Pallava Camp (painting, recto; text, verso), illustrated folio from a manuscript
Manuscripts
Kali Quaffs Blood in the Pallava Camp (painting, recto; text, verso), illustrated folio from a manuscript
Unknown Artist, c. 1598

Opaque watercolor on paper

16th centuryIndian
Folio 246 (text, recto and verso), from a manuscript of the Divan of Anvari
Manuscripts
Folio 246 (text, recto and verso), from a manuscript of the Divan of Anvari
Nanha, 1588

Ink, opaque watercolor and gold on paper

16th centuryIndian
Jarasandha’s siege of Mathura (painting, recto; text, verso), folio from a Bhagavata Purana series | Harvard Art Museums | KenAI