AlbumsIndian18th-19th century

Virahotkanthita Nayika on a Terrace with Birds

19th century

Description

Standing barefoot on a white terrace is a Virahotkanthita Nayika, (“One Distressed by Separation”), a heroine that waits for her lover to return from a long journey. She wears a gold-green costume, a shawl that is draped over her head, earrings, necklaces, a head ornament, a nose ring, rings, and bracelets. Her finger tips are dyed with henna. Her right hand is placed over her heart, holding her garment up. Next to her is a large male pigeon and a mourning dove. In the foreground is a small fountain flanked by flower patches. The background features two large flowering trees and large red blooms. Pahari Style, Kangra School.

Classification

Albums

Medium

Opaque watercolor and gold on paper; Pahari Style, Kangra School

Culture

Indian

Century

18th-19th century

Division

Asian and Mediterranean Art

Department

Department of Islamic & Later Indian Art

Dimensions

26.3 x 17.4 cm (10 3/8 x 6 7/8 in.)

Related Artworks

Albums

Paintings (recto and verso), folio 4 from an album

Unknown Artist, c. 1767

Opaque watercolor on paper

18th centuryIndian

Albums

Folio 20 from an Album of Drawings and Paintings: Holy Family with winged angel in oval frame (recto); Three drawings of figures in European dress (verso)

Unknown Artist, 19th century

Blue-gray ink on off-white laid paper, pricked and verso pounced with red chalk (recto); Top: blue-green counterproof on off-white wove paper (verso); Middle: black coutnerproof on off-white wove paper (verso); Bottom: red-brown ink and graphite on off-white wove paper (verso)

19th centuryPersian

Albums

Folio 7 from an Album of Artists' Drawings from Qajar Iran: Embracing couple on terrace, attended by servants, dancers, and musicians (recto); Standing woman with headscarf (verso)

Unknown Artist, 1820-1860

Black counterproof on off-white modern laid paper, with gold and ink margin lines, pricked and selectively pounced with red chalk (recto); Red ink on off-white modern laid paper; pricked and verso rubbed with red chalk (verso)

19th centuryPersian

Albums

Recto: Prince Khurram and Companions Visit a Hindu Sage; verso: Poem 37 by Hafiz penned and signed by Mir `Imad al-Hasani

Unknown Artist, 1604, 1609

Opaque watercolor, ink, and gold on paper

17th centuryIndian

Albums

Lovers with Pomegranate (painting, recto; calligraphy, verso), folio from an album, left-hand side of a bifolio

Mir `Ali Haravi, mid 16th century

Ink, opaque watercolor and gold on paper

16th centuryUzbek

Albums

Plea for Tax Relief, folio from an album

Mirza Kuchik Isfahani, 1795-1796

Ink and gold on paper

18th centuryPersian

Albums

Two Seated Men (drawing attributed to Bihzad), with Verses about the Inconstancy of Prophetic Vision by Sa'di (calligraphy, verso); Temptation with Wine (painting, recto); folio from an album

Bihzad, c. 1480-1490

Ink, opaque watercolor and gold on paper

15th-17th centuryPersian

Albums

Folio 6 from an Album of Artists' Drawings from Qajar Iran: Virgin and child with elderly men and attendants (recto); Amorous couple with attendants, baby, rabbits, and birds (verso)

Unknown Artist, 1750-1850

Black counterproof with touches of black ink on off-white wove paper (recto); Red ink, watercolor and graphite on off-white modern laid paper; pricked and rubbed with red chalk (verso)

18th-19th centuryPersian