early 18th century
Devagandhari Ragini is commonly represented by an ascetic in a retreat. In this painting, the ascetic, with long dreadlocks, sits outside of a white structure. An attendant stands behind him, holding up a peacock feather fan. Two female musicians approach the ascetic; one carries a tambura, a type of string instrument, and the other carries a mridagam, a type of drum. This painting is a pictorial metaphor for a raga, a musical phrase that is used as the basis for improvisation. Rajput, Rajasthani, Jaipur School.
painting: 24.2 x 15.5 cm (9 1/2 x 6 1/8 in.) paper: 30 x 22.3 cm (11 13/16 x 8 3/4 in.)
Ink, opaque watercolor, and gold on paper
18th centuryIndianInk, opaque watercolor and gold on paper
18th centuryIndianOpaque watercolor on paper
18th-19th centuryIndianInk, opaque watercolor, and gold on paper; Deccan Sultanate Style
18th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianOpaque watercolor, gold, and silver on paper
18th-19th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianInk, opaque watercolor and gold on paper
18th centuryIndianOpaque watercolor and some gold on paper
18th centuryIndianOpaque watercolor with gold on paper
18th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper.
18th centuryIndian