c. 1646
23.1 x 13.5 cm (9 1/8 x 5 5/16 in.)
Perhaps Alfred Boreel, Amsterdam [1], sold; [Muller, Amsterdam, 15 June 1908, lot 77 (as Rembrandt).] Paul Mathey, Paris, sold; [Hôtel Drouot (Delteil), Paris, 28 November 1924, lot 77, repr. (as attributed to Rembrandt).] [Richard Day, London], sold; to Maida and George Abrams, Boston, 1972 (L. 3306, verso, lower left); The Maida and George Abrams Collection, 2009.203 [1]. Although A. Boreel is listed as a consigner at Muller’s sale of 15 June 1908, he is not specified as the seller of our drawing. Sumowski confidently concluded that Boreel owned our drawing, but we prefer instead to qualify his ownership with, “perhaps.”
Brown ink and brown wash over graphite, incised, on cream antique laid paper, framing line in brown ink
17th centuryDutchBlack and white chalk, squared in graphite, on faded blue antique laid paper; verso: black and white chalk counterproof with touches of ochre, with squaring transferred from recto
17th centuryDutchBrown ink on dark cream antique laid paper
17th centuryDutchBlack ink, gray wash and graphite on off-white antique laid paper
17th centuryDutchBrown ink and brown wash with (later?) gray wash on off-white antique laid paper
17th centuryDutchBlack chalk on parchment
17th centuryDutchBlack and white chalk on blue antique laid paper, discolored to brown
17th centuryDutchBlack chalk with incidental offset of red chalk on cream antique laid paper
17th centuryDutchBrown ink on cream antique laid paper, partial framing lilne in black ink, mounted overall to wove paper
17th centuryDutchGraphite and brown wash on cream antique laid paper, with a framing line in black ink; verso: graphite and brown wash
17th centuryDutchOpaque and transparent watercolor over graphite on off-white antique laid paper; double framing line in black ink
17th centuryDutchBrown ink, gray wash, black and red chalk, white opaque watercolor on beige laid paper
17th centuryDutch