17th-18th century
In this two-panel folding screen a pair of white herons stands huddled together atop the thick trunk of a snow-laden willow tree. Executed in ink and white pigments on an otherwise unembellished gold ground, one heron bends its neck downward, while the other gazes far into the distance. The painted imagery is concentrated on the screen’s left panel, with only a few willow branches stretching into the visual field of the right panel. The work is unsigned.
painting proper: H. 51.7 x W. 167 cm (20 3/8 x 65 3/4 in.) frame: H. 54.6 x W. 171 cm (21 1/2 x 67 5/16 in.)
Louis V. Ledoux Collection, New York (by 1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013. Footnotes: 1. Louis V. Ledoux (1880-1948) 2. L. Pierre Ledoux (1912-2001) 3. On long term loan to Harvard Art Museums from 1981 to 2013.
Oil on panel
18th centuryFrenchOil on canvas
21st centuryAmericanFramed panel; ink and colors on paper; with artist's signature reading "Liu Guo Song" and with square, red, relief seal impression reading "Liu"
21st centuryChineseOil on canvas
17th centuryFlemishOil on canvas
17th centuryDutchOil on redwood panel
15th centuryNetherlandishThangka cut down and framed; ink, color and gold on fabric
18th-19th centuryTibetanOil on panel
19th centuryFrenchOil on canvas
Watercolor on paper
19th-20th centuryHandscroll; ink on paper
14th centuryJapaneseAlbum leaf; ink on paper; with artist signature reading "Xu Bing" (in idiosyncratic Roman letters); with artist circular, red, relief seal reading "Xu Bing" (in idiosyncratic Roman letters)
21st centuryChinese