18th century
Silk tent stitch embroidery depicting scenes of the sacrifice of Iphegenia?" (top) and a woman uncovering the sleeping Cupid (bottom), mounted on red cut silk velvet.
49.2 × 104.1 cm (19 3/8 × 41 in.)
Grenville Lindall Winthrop, New York, bequest; to Fogg Art Museum, 1943
Silk with metallic yarns filé and lamé, pearls and jewels
18th centuryGreekSilk, metallic yarns (filé. lamé and frisé) and sequins
18th-19th centuryItalianSilk, metallic yarns (filé. lamé and frisé) and sequins
18th-19th centuryItalianLong-armed cross and four-sided silk stitch on a cotton ground.
17th-18th centuryMoroccanRed silk and metallic (silver, gilt) yarns filé, sequins and seed pearls
18th centuryGreekSilk on linen
18th-19th centuryOttomanResist-dyed red damask silk utilizing stitch-resist (nuishime shibori) and tie-dying (kanoko shibori) techniques; selected motifs embroidered with gold-paper-wrapped and polychrome silk threads
18th centuryJapaneseSilk, metallic yarns (filé. lamé and frisé) and sequins
18th-19th centuryItalianSilk with metallic yarns filé and lamé, pearls and jewels
18th centuryGreekRed silk and metallic (silver, gilt) yarns filé, sequins and seed pearls
18th centuryGreekSilk and metallic yarns filé and lamé with sequins and seed pearls
18th centuryGreek