late 18th-early 19th century, possibly Qianlong period (1736-1795)
A green jadeite covered tripod censer of oval quadralobed form, the censer with plain, highly polished sides and raised on three curved legs that issue from lion masks; each shoulder carved with a large, projecting handle in the form of a dragon head, each dragon’s antler-like horns curving back and its long beard curving down to form a loop from which is suspended an integrally carved, free-turning ring; the censer’s squared lip projects outward, as does that of the matching cover, whose lightly indented sides echo the censer’s quatrefoil form; the flat-topped cover sports a reticulated handle in the form of two integrally carved Buddhist lions, the mature female lion standing on all fours and with her head turned back to look over her shoulder and across her back to her cub, which stands with its front paws on its mother’s haunches and its back paws on the cover’s flat top; like the mature lion, the cub also is integrally carved in free-standing relief; the translucent, glassy jade of varying tones of bright green with coffee-hued white inclusions.
overall, with lid: H. 16.5 x W. 18.5 x D. 10.7 cm (6 1/2 x 7 5/16 x 4 3/16 in.)
Northern black ware of Cizhou type: light gray stoneware with dark brown glaze and with markings in overglaze iron-brown slip, the rim dressed with white slip under clear glaze, the base and unglazed lower portion with a brush-written inscription reading "Wei Han Han / Wei / Wei"
12th-13th centuryChineseSancai ("three-color") ware: white earthenware with lead-fluxed clear glaze mottled with cobalt blue
8th centuryChineseHard-paste porcelain with feldspathic glaze
18th-19th centuryGermanExport blue-and-white ware: porcelain with decoration painted in underglaze cobalt blue
18th centuryChineseTerracotta
GreekGlass
19th centuryEuropeanGlass
4th-5th century CERomanEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Jiajing nian zhi" on the base
16th centuryChineseBlack-surfaced gray stoneware with combed, appliqué, and openwork decoration
5th-6th centuryKoreanCeramic
20th centurySwedishTerracotta
Greek