475 BCE - 221 BCE
7 x 9.2 cm (2 3/4 x 3 5/8 in.)
Lacquer on wood with decoration in gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; stone and gilt-copper fittings
17th centuryJapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanPale green neprhite; the inscription picked out in gold
19th centuryChineseLacquer on wood with decoration in gold utilizing the "hiramaki-e" (low-relief sprinkled design) and "kanagai" (sheet-gold appliqué) techniques
18th-19th centuryJapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and tortoiseshell inlays
17th-18th centuryJapaneseWood
19th centuryTibetanOff-white nephrite
18th-19th centuryChineseLacquer
JapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays
17th-18th centuryJapaneseTemmoku-type ware: light gray stoneware with black glaze, the decoration painted in overglaze iron-brown slip
20th centuryJapaneseQingbai ware: molded porcelain with pale sky-blue glaze; with molded inscription reading "Wu Jia He ___" on the base
12th-13th centuryChineseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique
18th centuryJapanese