late 18th-first half 19th century
This is the right, two-panel screen from a pair intended to be viewed together as a single composition. It depicts a partial view of a cherry tree trunk, with just a few thin flowering branches rising up into the scene and a more substantial branch sprouting leftward from the trunk and out of the visual field. The two-panel screen on the left continues the arc of this screen’s left-sprouting branch. The imagery is painted in ink, color, and white pigments over a gold paper ground. A signature and red square relief seal appear in the lower right corner of the right panel. These screens originated as a set of sliding cabinet doors, as indicated by traces of circular damage at the midpoints of the left and right edges of each screen panel, where the handling implement to slide each door once existed.
painting proper: H. 33.5 x W. 121.9 cm (13 3/16 x 48 in.) frame: H. 52 x W. 145.2 cm (20 1/2 x 57 3/16 in.)
Louis V. Ledoux Collection, New York (by 1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013. Footnotes: 1. Louis V. Ledoux (1880-1948) 2. L. Pierre Ledoux (1912-2001) 3. On long term loan to Harvard Art Museums from 1981 to 2013.
Album leaf; ink, color, and gold on silk
17th centuryJapaneseBinder: Animal glue Pigments: Bassanite, anhydrite, alunite, red and yellow ochres, bone black, carbon black, madder lake, red lead Support: Native Egyptian sycomore fig (Ficus sycomorus)
2nd-3rd century CEEgyptianOil on canvas
19th-20th centuryAmericanOil on canvas
21st centuryOil on canvas
19th centuryAmericanTempera on panel
14th centuryItalian, Tuscan, FlorentineOil on canvasboard
20th centuryAmericanHandscroll: first of two; ink and color on paper
18th-19th centuryJapaneseOil on paper, mounted to board
18th centuryFrenchOil on panel
17th centuryRussian'Shikishi' (poetry paper) painting; ink and color on paper
20th centuryJapaneseOil on canvas
18th centuryBritish