late 18th-first half 19th century
Although the two screens that comprise their pair can be viewed as separate compositions, they were intended to be viewed together. The two-panel screen on the right depicts a partial view of a cherry tree trunk, with just a few thin flowering branches rising up into the scene and a more substantial branch sprouting leftward from the trunk and out of the visual field. The two-panel screen on the left continues the arc of the other screen’s left-sprouting branch and culminates in a scene of two sparrows perched on branches with clusters of cherry blossoms and leaves. The imagery is painted in ink, color, and white pigments over a gold paper ground. A signature and red square relief seal appear in the lower right corner of the right panel of the right-hand screen. These screens originated as a set of sliding cabinet doors, as indicated by traces of circular damage at the midpoints of the left and right edges of each screen panel, where the handling implement to slide each door once existed.
Right screen (painting proper): H. 33.4 x W. 122.7 cm (13 1/8 x 48 5/16 in.) Left screen (painting proper): H. 33.5 x W. 121.9 cm (13 3/16 x 48 in.)
Louis V. Ledoux Collection, New York (by 1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013. Footnotes: 1. Louis V. Ledoux (1880-1948) 2. L. Pierre Ledoux (1912-2001) 3. On long term loan to Harvard Art Museums from 1981 to 2013.
One of a pair of handscrolls; ink and light color on paper
19th centuryJapaneseReverse painting on glass
19th centuryAmericanOil on canvas
19th centuryBritishOil on composition board
20th centuryMexicanWall scroll; ink on paper; with date and signature of the artist reading "Bingzi wuyue Zhang Hong hua" and two seals of the artist reading "Yin Shan" and "Zhang Hong Zhi Xi"
20th centuryChineseHanging scroll: ink on paper, with signature reading "Nagasaki Itsuun" and two seals
19th centuryJapaneseHanging scroll; ink and light colors on silk; with signature of the artist reading "So-chung-hwa Sŏ-am sa"
18th centuryKoreanOil on canvas
20th centurySpanishOne of eighteen album leaves bound together in an (incomplete) album; ink, color and silver on paper
19th centuryJapaneseOil on canvas
20th centuryAmericanThe forty-seventh of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper
16th centuryJapaneseFour-panel folding screen; one side, ink on red silk; other side, ink and colors on paper
20th centuryJapanese