1540-1550
The design of this dish incorporates two ingeniously painted floral sprays. Laden with blossoms, the longer stem rises up the middle, angles sharply downward, and then encircles the dish, intersecting the shorter stem. Such meticulously drawn intertwining branches with serrated leaves are characteristic of the ink drawings attributed to Shahquli, an émigré artist from Iran who headed the Ottoman court studio from 1540s to 1556. This studio supplied designs that were then executed in various media. Working with court designs, ceramic artists in Istanbul and Iznik experimented with an increasing range of colors. An expansion from a simpler palette of blue and turquoise, the four colors used on this dish were further enriched with red and emerald green after the 1550s. Its complex design and painting technique, especially the tonal rendering of the purple, distinguish this dish from all other Ottoman ceramics that use this palette, indicating an exceptional undertaking.
Diam. 27.5 cm (10 13/16 in.)
Sir Caspar Purdon Clark, London. Frederick Anthony White, London (possibly 1902 - 1925), sold; [through Christies, London, 15 December 1925, no. 43], to; E. L. Paget, city unknown (1925-1949), sold; [through Sotheby & Co., London, 11 October, 1949 no. 57]. Adda Collection, city unknown (by 1959). Stuart Cary Welch Jr., Warner, New Hampshire (by 1969-2008), by inheritance; to Edith I. Welch, Warner, New Hampshire (2008-2011), gift; to Harvard Art Museums. Caspar Purdon Clark (1846-1911)
Ceramic
18th centuryJapaneseSilver
18th centuryAmericanSilver, gilt
19th centuryBritishJian ware: dark gray stoneware with dark brown glaze, the markings in iron oxide. From the kilns at Shuiji, Jianyang county, Fujian province.
12th-13th centuryChineseTerracotta
CypriotExport blue-and-white ware: porcelain with decoration painted in underglaze cobalt blue
19th centuryChineseHard-paste porcelain with polychrome enamels and gold
18th centuryGermanPlain celadon ware: very light gray porcellaneous stoneware with lightly crazed celadon glaze
14th-15th centuryKoreanCarved rhinoceros horn, with incised seal mark reading 'Sheng Fugong zuo' on the base
17th-18th centuryChineseRaku ware: light grayish buff earthenware with clear glaze suffused with pink blushes; repairs with red and gold lacquers
18th centuryJapaneseSplashed Jun ware: light gray stoneware with robin's-egg blue glaze enlivened with purple suffusions from copper filings
12th-13th centuryChinese