second half 19th century
painting proper: H. 124.1 x W. 35.4 cm (48 7/8 x 13 15/16 in.) overall including mounting, cord and roller ends: H. 196.5 x W. 58.6 cm (77 3/8 x 23 1/16 in.)
[Kang Collection, New York (May 2000)] sold; to Harvard University Art Museums, 2000.
Folding fan painting mounted as an album leaf; ink on paper; with signature purportedly of the artist reading "Kyŏm-chae"; with two seals purportedly of the artist reading "Chŏng Sŏn" and "Wŏn-paek "
18th-19th centuryKoreanHanging scroll; ink and color on silk
19th centuryKoreanTwo-panel folding screen; ink on paper; with inscription, signature, and three seals of the artist
19th-20th centuryKoreanHanging scroll; ink on paper; with artist's signature
19th centuryKoreanHanging scroll; ink and light colors on paper, with seal of the artist reading "So-ch'i"
19th centuryKoreanFolding album leaf mounted as a hanging scroll (from an album of sixteen leaves); ink on paper; with two inscriptions by the artist; with three seals of the artist
19th centuryKoreanEight-panel folding screen; ink on sky-blue tinted paper; each of the eight paintings with artist's inscription followed by a signature reading "Soho" (Chinese, "Xiaohu"); the first (i.e., far right) painting also with a signature of the artist reading "Kim Ŭng-wŏn"; each inscription preceded by an elongated elliptical red seal and each signature followed by two red seals, all the seals now virtually obliterated through abrasion
19th-20th centuryKoreanLarge album leaf now framed and glazed; ink and slight color on silk; with one seal, perhaps a seal of the artist
19th centuryKoreanOne of two vertical panels mounted as hanging scrolls, the panels from a folding screen and probably from a set of eight; ink and colors on paper
19th centuryKoreanFolding album leaf mounted as a hanging scroll (from an album of sixteen leaves); ink on paper; with an inscription by the artist; with one seal of the artist
19th centuryKoreanHanging scroll; ink and colors on paper
18th-19th centuryKoreanSix-panel folding screen; ink and light colors on silk; with signature reading "Hyo-san"; with seals reading "Hyo San" and "Kim Chae Tŏk In" at the end of the inscription on the last panel
19th centuryKorean