10th century
White, curving horns appear to sprout from the red head of the enigmatic figure whose outstretched arms and running legs fill the contours of this bowl. Perhaps a bull’s head is represented, but the blurring of the black pigment in the glaze has obscured the artist’s intentions here and elsewhere. The rendering of the hands is equally ambiguous, possibly meant to suggest the thumb and knuckles of a clenched fist. The hand reaching backward appears to hold a leafy branch. The space around the figure is filled with a miscellany of motifs, including a flower, a palmette, fragmentary letters in Kufic script, and a bird. Groups of four or five short lines divide the rim into five sections, colored either green or yellow. This bowl closely resembles figural wares with buff-colored bodies reported by Charles Wilkinson to have come from excavations at Nishapur. Here, however, the off-white background is obtained from slip covering a reddish ceramic fabric, and the yellow background results from staining from fine chromite particles, rather than the more customary lead-tin or lead-antimony. The base, which is slightly concave and beveled, is only partially covered by the slip. The bowl, once broken, is in good condition, having been put back together from at least four major fragments. On the interior, overpainting is largely limited to the center: the figure’s collar and shoulders, his groin, and the upper lapels of his torso.
8 x 26.8 cm (3 1/8 x 10 9/16 in.)
[Hadji Baba Ancient Art, London,1985], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1985-2002), gift; to Harvard Art Museums, 2002.
Silver
18th centuryAmericanGlass
19th centuryGermanTerracotta
GreekGray earthenware with cold-painted pigments
2nd-1st century BCEChineseHard-paste porcelain with feldspathic glaze
18th-19th centuryGermanSilver
18th centuryAmericanElectroplated metal
17th centuryGermanTerracotta
GreekPunch'ŏng ware: light gray stoneware with pale celadon glaze over decoration incised through the white-slip ground. Reportedly recovered on Cheju Island in winter 1962-1963.
15th centuryKoreanChangsha ware: light gray stoneware with three molded appliqué decorative elements, the ewer coated with olive-toned celadon glaze over a thin coat of white slip, the appliqué elements further splashed with caramel glaze. From the kilns at Tongguan, Changsha, Hunan province.
9th centuryChineseEtching fired onto ceramic plate, then colored, glazed, and refired
19th centuryFrenchYue ware: light gray stoneware with celadon glaze over molded, carved, and incised decoration
10th-11th centuryChinese