1562
This is the left-hand side of an illuminated double page. The text, written in white within the central medallion, begins the introduction to Firdawsi’s Shahnama composed by the Timurid prince Baysunghur Mirza. The page is densely decorated with geometric motifs in blue and gold, layered with intricate floral vines and cloudbands. The design and palette are characteristic of frontispieces produced in the second half of the sixteenth century in Iran and Central Asia.
37.2 x 23.3 cm (14 5/8 x 9 3/16 in.)
[Christies, London, 17 October 1995, lot no. 79]. [Mansour Gallery, London, before 1997], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (by 1997-2002), gift; to Harvard Art Museums, 2002.
Ink, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianText; ink, opaque watercolor and gold on paper
16th centuryPersianInk and gold on paper
16th and 19th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersian