10th-11th century
The decoration on the interior of this vessel is characteristic of slip-painted wares now generally attributed to workshops in a region south of the Caspian Sea. Typically, as here, the design of these bowls is dominated by a single large, leftward-facing bird with distended belly, elaborately crested head, and two-colored, bifurcated tail. Birds and surrounding flowers are often outlined in a darker color that may be topped with tiny white dots; white dots also accent dark spots on the bird’s body. Off-white slip and green-tinged glaze completely coat the interior of this bowl. On the exterior, the slip only patchily covers the walls, and the glaze is restricted to the area around the rim. The concave base is uncoated. The bowl has been reassembled from about ten fragments, with plaster replacing losses in the lower left quadrant of the center, and it retains earlier and rather awkward overpainting of the bird’s lower belly and legs.
8.7 x 23.8 cm (3 7/16 x 9 3/8 in.)
[Mansour Gallery, London, 1971], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1971-2002), gift; to Harvard Art Museums, 2002.
Silver
18th centuryBritishCeramic
18th centuryJapaneseCeramic
18th centuryJapaneseSilver
18th centuryAmericanCeramic
17th centurySyrianSlip-painted celadon ware: light gray stoneware with celadon glaze over decoration painted in iron-brown slip. Reportedly recovered near Yŏngsangp'o, South Chŏlla province.
11th-13th centuryKoreanLight gray stoneware with molded decor and appliqué flanges
11th-9th century BCEChineseEnameled porcelain: porcelain with decoration painted in overglaze polychrome enamels
19th centuryChineseTerracotta
5th century BCEGreekTerracotta
4th century BCEGreekTerracotta
2nd-3rd century CERomanOpaque blue glass with yellow decoration
4th-3rd century BCEGreek