early 17th century
This work illustrates the episode of Bahram Gur visiting the Chinese princess Yaghme in her sandalwood pavilion. Here, too, the king and his bride sit together, served and entertained by female attendants and musicians, and colors of their clothing—gold and white—correspond with those of the pavilion dome. Although the figures are now larger in scale and their hair and headdress styles somewhat different, this painting, in comparison with the earlier one, shows the iconographic continuity of Safavid-period illustrations of the Haft paykar. Due to pigment deterioration, the appearance of the painting is seriously compromised.
26.2 x 16.1 cm (10 5/16 x 6 5/16 in.)
Stanford and Norma Jean Calderwood, Belmont, MA (by 1998-2002), gift; to Harvard Art Museums, 2002.
Ink, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianPaintings with text; ink, opaque watercolor and gold on paper, with red and gold leather binding
16th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk on paper
16th and 19th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersian